Saturday, August 3, 2019
Tragedy and Redemption in Toni Morrisons Beloved Essay -- Toni Morris
Tragedy and Redemption in Beloved                     "This is not a story to pass on."(1)                   With these enigmatic words, Toni Morrison brings to a conclusion         a very rich, very complicated novel, in which slavery and its         repercussions are brought into focus, examined, and reassembled to         yield a story of tragedy and redemption.                   The "peculiar institution" of slavery has been the basis for many         literary works from Roots to Beloved, with particular         emphasis on the physical, mental, and spiritual violence         characteristic of the practice of slavery in the South.                    A far greater shame than slavery itself is the violence that was         directed against slave women in the name of slavery. Slave women bore         the heaviest burden of slavery, forced to be not only fieldhands and         domestic workers, but to satisfy their masters' sexual appetites.         Frederick Douglass wrote that the "slave woman is at the mercy of the         fathers, sons or brothers of her master."(2)                    Slaveowners considered their slave women to be fair game, forcing          themselves on their female slaves with impunity, and any resulting         children were considered property, to be sold like the calves from a         cow. The family institutions of the slaves meant nothing to their         owners; the children of slaves were likewise considered property and         could be sold at their owners' whim. Schoolteacher referred to Sethe         and her children as "...the breeding one, her three pickaninnies and         whatever the foal might be..."(279) Slave children often did not know         who their fathers or even their mothers were...              ...gain.         Beloved is an unsanitized picture of slavery and its         consequences, a condemnation of the violations that humans impose         upon each other. That the presence of Beloved is still felt, long         after the players have left the stage, is representative of the         scars that remain on the hearts and minds of women, that such         horrors could be visited upon their sisters once.     Notes    1. Toni Morrison, Beloved (New York, 1987) 337. All subsequent quotes from Beloved are followed by page numbers in parentheses.    2. Frederick Douglass, My Bondage and My Freedom (New York, 1968 [1855]) 60, qtd. in Blassingame 83.    Works Cited    1. Blassingame, John W. The Slave Community: Plantation Life  in the Antebellum South. New York: Oxford University Press, 1972.    2. Morrison, Toni. Beloved. (New York: Penguin Books USA  Inc., 1987)                        
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